From the lark to the nightingale

Okay, we’re going to take a bit of a turn for today’s earworm. A turn to imperial Vienna, where in 1882 Johann Strauss the Younger wrote an orchestral waltz celebrating Spring. “Frühlingsstimmen” (“Voices of Spring”) actually sounds to me like a frolic in a green field, and that’s even without the coloratura soprano added in.

(I find it rather amusing that the first soprano to sing it was Bertha Schwartz, whose stage name was Bianca Bianchi.)

Here we’ve got Kathleen Battle singing it. Open your windows and let this flow all around you.

©2025 Bas Bleu

 

Welcome, May!

Let’s celebrate May Day with some views of Spring in the People’s Republic.

A couple of weeks ago, I was forced into a detour from my normal walking path because some golfer parked his cart across the bridge over a creek that runs through the course. I confess that I was grumbling, but then look who flew over to say hello:

Here's someone I met on another walk:

And here is a beautiful shrub I’m unacquainted with, but it gave me joy throughout April:

 

©2025 Bas Bleu

The darkness drops again

When William Butler Yeats wrote “The Second Coming” in 1919, the world was still picking up the pieces after four years of total war, and was awash in the global influenza pandemic. But here we are, more than a hundred years on, and it feels like it describes the past 100 days entire.

I don’t know what more I can say about it. Except that it closes out National Poetry Month for 2025, and it’s up to us to deal with that rough beast.

“The Second Coming”

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 

©2025 Bas Bleu

 

The awful grace of God.

We know Aeschylus as a tragedian and a poet, but he was also a soldier—veteran of the battles of Marathon (against Darius I) and Salamis (against Xerxes). So even when he wrote of mythical wars and warriors, he drew on his own experiences and knew what he was talking about.

The characters in Aeschylus’ plays are not, on the whole, happy. This is particularly true of the Oresteia trilogy, focusing on the family of King Agamemnon of Mycenae, one of the leaders in the Greek war against Troy. Not to put too fine a point upon it, everything we know about Agamemnon (starting with Homer’s Iliad) tells us that he’s a complete shit: arrogant, boastful, bullying, petty, inflexible and greedy. Yes, he came from an unhappy family (the House of Atreus), and there was that curse, but still—he really got up my nose when I was reading the classics.

Agamemnon is not the sort of guy who engages in introspection, and his ego prevents him from ever learning. This is a serious flaw, particularly in a head of state. And it leads to his violent murder, followed by the destruction of his family.

The observation about wisdom emerging from pain that Aeschylus makes in Agamemnon, the first play in the Oresteia, was not absorbed by the title character. Big cheeses typically don’t take instruction from poets. But these lines were chosen by Robert F. Kennedy in April, 1968, when he announced to the citizens of Indianapolis that Martin Luther King, Jr. had been assassinated. I’ve been thinking about this a lot lately.

God, whose law it is
that he who learns must suffer.
And even in our sleep, pain that cannot forget
falls drop by drop upon the heart,
and in our own despite, against our will,
comes wisdom to us by the awful grace of God.

Here’s video of Kennedy's speech that day.

The delta between RFK and his eldest son is just beyond measure. Junior, like everyone else in this administration, does not learn, possesses no wisdom and live above suffering.

 

©2025 Bas Bleu

 

Gratitude Monday: Every morning a new arrival

This is a National Poetry Month of resistance, but it also encompasses persistence and resilience. All three of these things are long plays. As much as we’d like to see our oppressors turned to dust with the flick of a wrist, the reality is that they didn’t arrive here suddenly, and it’s going to take time and considerable effort to boot them out and clean up after them.

I, in particular, need to remember this, because I am the most impatient person on the planet. I need to remind myself continually that—ghastly as this administration and its illegalities and cruelties are, and as much as we need to clear them away—just because I can’t snap my fingers and turn them all into dust beside the road while real wounds are healed, that doesn’t mean that the battle (much less the war) is lost.

We need to refresh ourselves from time to time. Meditate, be mindful; rest and recuperate.

So, for Gratitude Monday, let’s have something from the 13^th Century Persian poet we know as Rumi. “The Guest House” is very frequently quoted during mindfulness retreats, so it seems appropriate for today. It reminds us to invite into our lives and souls dark things as well as light, because everything—every thing—has something to teach us. And—I hope—to make us stronger for the necessary.

“The Guest House”

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice.
meet them at the door laughing and invite them in.

Be grateful for whatever comes.
because each has been sent
as a guide from beyond.

 

 

 

©2025 Bas Bleu

 

Unconquerable soul

When you think of people who’ve played the long game, who’ve showed steadfast courage and a generosity of spirit despite the most despicable treatment from their oppressors, I believe you would not cast about too long before you spoke the name of Nelson Mandela.

In the course of his revolutionary leadership in the struggle against apartheid, Mandela was denounced as a terrorist and spent 27 years in prison, before being released in 1992 and becoming the first black president of South Africa. As we are seeing today with the white male base of the Kleptocrat’s supporters, the attempts by the Afrikaners who had held power since the days of the Dutch settlements became more and more repressive with every successive wave of black African refusal to live as second class citizens in their own land. And Mandela was the most visible representation of the African National Congress.

One of his many remarkable qualities was his refusal to carry the terrible weight of bitterness or revenge—he could certainly be remorseless, but he was not vindictive. Even though he certainly had real, personal cause for grievance.

The poem “Invictus”, is the best-known work of the Victorian poet William E. Henley. It certainly encapsulates the Victorian mantra of maintaining the stiff upper lip, but also includes that kind of, well, master-of-fate mentality that formed the backbone of the British Empire. You really do have to have an underpinning of a complete belief in yourself in order to conquer, occupy and govern peoples literally around the world.

That belief also helps if you’re going to lead the resistance to the kind of oppression that people like the Kleptocrat, and the Bothas dish out.

And “Invictus” (Latin for, essentially, “unbroken”; literally, “unconquered”) was a touchstone for Mandela during his imprisonment. It has also served the same purpose for Aung San Suu Kyi, and American POWs held by the North Vietnamese, so it could do so for us, too.

“Invictus”

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeoning of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

 

 

©2025 Bas Bleu

 

Every child murdered here

I first read about Babi Yar in high school, about the same time I first heard some of Yevgeny Yevtushenko’s poems. It was a novel notion to me that some guy, in the Soviet Union, long before Glasnost, could be a poet. You know, like Ferlinghetti or Marlowe or Yeats.

I had pretty limited notions of both poets and current events back then. I lived in the suburbs.

When I finally got interested in poetry, one of the first books I bought was one of his collections. I don’t now recall which one, or any of the poems in it; so it didn’t have a lasting effect on me. It was probably a “Hey-I’m-sophisticated-I’m-reading-a-Soviet-poet” kind of statement.

Much later, I picked up a copy of Anatoly Kuznetsov’s Babi Yar at a used book shop. And at that time I had no bleeding idea of what I was getting myself into—the book cover was extremely sparse in the summarizing blurb department. I just knew it was a novel about a massacre of Jews by the Nazis that took place in Kiev in 1941.

Much later still, when I finally got around to cracking it open to read, a steady tide of horror and disbelief rose over me until I nearly drowned. It turns out that Kutznetsov’s book is a “documentary novel” of his experience witnessing the two-day bloodbath in which nearly 34,000 men, women and children were murdered and shoved layer upon layer into the ravine called Babi Yar.

Kuznetsov says, “"Let me emphasize again that I have not told about anything exceptional, but only about ordinary things that were part of a system; things that happened just yesterday, historically speaking, when people were exactly as they are today."

Yevtushenko also wrote about the atrocity; it’s one of his most famous works. Like Kuznetsov’s, his account is searing. But he uses the poem to point out that the Soviet state is not much of an improvement on the Nazis, and to denounce anti-Semitism in any garb. It was a pretty ballsy move back in 1961, when it was first published.

And I don’t need to make any connection for you between his “Union of the Russian People” and current events. History, baby—if you miss it once, it comes around again. We right here are proof of that.

“Babi Yar”

No monument stands over Babi Yar.
A steep cliff only, like the rudest headstone.
I am afraid.
Today, I am as old
As the entire Jewish race itself.

I see myself an ancient Israelite.
I wander o'er the roads of ancient Egypt
And here, upon the cross, I perish, tortured
And even now, I bear the marks of nails.

It seems to me that Dreyfus is myself.
The Philistines betrayed me - and now judge.
I'm in a cage. Surrounded and trapped,
I'm persecuted, spat on, slandered, and
The dainty dollies in their Brussels frills
Squeal, as they stab umbrellas at my face.

I see myself a boy in Belostok
Blood spills, and runs upon the floors,
The chiefs of bar and pub rage unimpeded
And reek of vodka and of onion, half and half.

I'm thrown back by a boot, I have no strength left,
In vain I beg the rabble of pogrom,
To jeers of "Kill the Jews, and save our Russia!"
My mother's being beaten by a clerk.

O, Russia of my heart, I know that you
Are international, by inner nature.
But often those whose hands are steeped in filth
Abused your purest name, in name of hatred.

I know the kindness of my native land.
How vile, that without the slightest quiver
The anti-Semites have proclaimed themselves
The "Union of the Russian People!"

It seems to me that I am Anna Frank,
Transparent, as the thinnest branch in April,
And I'm in love, and have no need of phrases,
But only that we gaze into each other's eyes.
How little one can see, or even sense!
Leaves are forbidden, so is sky,
But much is still allowed - very gently
In darkened rooms each other to embrace.

-"They come!"

-"No, fear not - those are sounds
Of spring itself. She's coming soon.
Quickly, your lips!"

-"They break the door!"

-"No, river ice is breaking..."

Wild grasses rustle over Babi Yar,
The trees look sternly, as if passing judgment.
Here, silently, all screams, and, hat in hand,
I feel my hair changing shade to gray.

And I myself, like one long soundless scream
Above the thousands of thousands interred,
I'm every old man executed here,
As I am every child murdered here.

No fiber of my body will forget this.
May "Internationale" thunder and ring
When, for all time, is buried and forgotten
The last of anti-Semites on this earth.
There is no Jewish blood that's blood of mine,
But, hated with a passion that's corrosive
Am I by anti-Semites like a Jew.
And that is why I call myself a Russian!

©2025 Bas Bleu

 

Every rung

Here in the Old Dominion, we’re winding down the gubernatorial term of Glenn Youngkin. Thanks be to God.

(One good thing about the former Capital of the Confederacy is the restriction on the executive branch: a governor cannot serve two consecutive terms.)

Youngkin’s done his best to be a fleece-vested Kleptocrat, starting out his term with a report-a-teacher-who’s-mentioning-[anything “woke] snitchline. That shut down after thousands of people trolled the technology, reporting, well, anything that came to mind; Republicans, the weather, bad poetry, fleas.

He’s also been hampered by Democratic majorities in both houses of the Virginia legislature. The crowning achievement of his reign was supposed to be a deal for a sports arena in Alexandria, to lure the Wizards and Capitals away from DC (giving enormous “incentives” to the teams’ owner Ted Leonsis). He presented it suddenly as a near fait accompli at the end of 2023, but the lege, spearheaded by a Black woman delegate from Hampton Roads, stopped it. To the great relief of everyone in Northern Virginia.

He has made inroads in DEI programs throughout the state, and this will have to be unpicked once he’s gone. Which cannot come soon enough for my liking. His smug, condescending White male face just begs for bitchslapping, and I was sick of seeing it long before the 2021 campaign was over.

So my entry for National Poetry Month today is something to remind me and all of us about playing the long game. As Dr. Martin Luther King, Jr. said, “The arc of the moral universe is long, but it bends toward justice.”

 Using the term Jacob’s ladder to refer to the connection between heaven and earth goes back to…Jacob, in the Bible. Jacob dreamt of a ladder that went all the way to heaven, with angels and everything. In Christianity, Jacob’s ladder is a metaphor for Christ, who bridges humanity and the godhead.

The spiritual “Jacob’s Ladder” dates to at least 1825, and was sung by slaves, who for generations could only dream of an escape from bondage. It’s in the form of call and response, which is useful for participation by unlettered congregations, as well as for ad libbing new sentiments. Truly—as the spirit moves you, you bring your brothers and sisters along.

American race-based human chattel slavery began right here in the Old Dominion in 1619. When the Lost Causers these days wave the Confederate flag around and bellow “states’ rights”, keep in mind that the “right” they were concerned about 160 years ago was the one to extend slavery into the new territories and thus maintain political power in Congress. Consider all those rebel armies the 1860s version of lobbyists, if you like. Southerners were afraid that if new states were admitted to the Union as free states, they’d be outvoted in Congress, as indeed they would be. So it was all about power—keeping it, and wielding it over other humans based on skin color.

For nearly 250 years, until the Thirteenth Amendment was ratified in 1865, slaves sang “Jacob’s Ladder” as an expression of faith and hope, and to draw the kind of strength it takes to persevere for that length of time. It’s served that purpose ever since, through Reconstruction, through the KKK, through the Depression, through Jim Crow, through the Civil Rights movement… And it still has value now, in the Gauleiter era.

One of my favorite versions is the one by Sweet Honey in the Rock that was used in Ken Burns’ seminal documentary The Civil War more than 25 years ago. Crank up the volume.

 

©2025 Bas Bleu

 

All that strays and wanders

Sundown tonight marks the start of Yom HaShoah, Israel’s annual commemoration of the Holocaust. Amongst other ceremonies throughout the 24-hour period, tomorrow at 1000 local time, air raid sirens will sound and everyone in Israel will come to a halt for two minutes to reflect on the systematic attempt by Nazi Germany to eradicate the Jewish people on an industrial scale.

It seems to me that the entire world ought to be reflecting on this, given the rise of right-wing extremism who are becoming louder and more confident in their championing of racism, misogyny, xenophobia, christofacism, anti-Semitism, wealth inequity, homophobia and authoritarianism, not only in the US, but also in Europe.

Well, today’s entry for National Poetry Month is ancillary to Yom HaShoah. Johan Wolfgang von Goethe’s “On the Divine” enjoins us to follow the better angels of our nature, which we all too frequently do not. But the poem was an initial thread between two people from different worlds, and the tapestry it wove became a love that bridged those worlds and endured for decades.

Gerda Weissman, a Polish Jew, was not quite 21 in May 1945 when she and 150 other young women—last survivors of a death march that initially included 2000 concentration camp inmates—were discovered in Czechoslovakia by American soldiers. She could barely stand up, but that put her in better condition than her companions, so she greeted the Americans. As she gestured to the interior of an abandoned factory where they lay, she said, “Edel sei der Mensch, hilfreich und gut!”

Kurt Klein, the soldier to whom she spoke was struck by the emaciated, barely-alive girl quoting Goethe, “Noble be man, merciful and good!” As she was treated in a field hospital (where 30 of her companions died), Klein visited her and a friendship grew, which blossomed into romance. Klein and Weissman married the following year, and built a life for decades in Buffalo before retirement took them to Arizona. They had three children, eight grandchildren and 18 great-grandchildren. Klein (a Jewish immigrant whose parents were murdered in Auschwitz) died in 2002; Weissman 22 years later.

They are an example of Goethe’s noble humanity, and I hold on to them as I look around me at the work of those who would destroy them.

“On the Divine”

Let man be noble,
Generous and good;
For that alone
Distinguishes him
From all the living
Beings we know.

Hail to the unknown
Higher beings
Of our intuition!
Let man resemble them;
Let his example
Teach us to believe in them.

For the realm of nature
Is unfeeling;
The sun sheds its light
Over evil and good
And the moon and the stars
Shine on the criminal
As on the best of us.

The wind and the rivers
The hail and the thunder
Storm on their way
And snatch one victim
After another
As they rush past.

So too does blind fortune
Grope through the crowd, now
Seizing a young boy’s
Curly-haired innocence
And now the bald pate
Of the old and guilty.

As great, everlasting,
Adamantine laws
Dictate, we must all
Complete the cycles
Of our existence.

Only mankind
Can do the impossible:
He can distinguish,
He chooses and judges,
He can give permanence
To the moment.

He alone may
Reward the good
And punish the wicked;
He may heal and save
And usefully bind
All that strays and wanders.

And we revere
The immortals, as if
They were human beings
Who do on a great scale
What little the best of us
Does or endeavors.

Let the noble man
Be generous and good,
Tirelessly achieving
What is just and useful:
Let him be a model
For those beings whom he surmises.

                        Translated by David Luke

  

©2025 Bas Bleu

 

A poor, infirm, weak, and despis'd old man

Today’s the day we mark the Big Gun of English poetry, William Shakespeare. We think this was his birthday in 1564, and we know it was the day he died, in 1616. Much of Shakespeare’s life would have been spent amidst pestilence; smallpox, typhus, cholera were just some of the diseases swirling about. It’s surprising that his works aren’t more drenched with catastrophic events beyond the making of man.

King Lear was first performed for James I in 1606, following a summer in which bubonic plague ravaged the country and closed down much of the entertainment venues and shops in London. We don’t know that this influenced Shakespeare, but the landscape of Lear is a blasted wasteland for much of the play, so…

As per usual, Lear’s downfall is of his own making, but, man, does he take half the cast with him into madness and death. About halfway through the play, when the deposed king is wandering the moors, he rages…against ingratitude.

Huh.

King Lear, Act III, Scene 2

Blow, winds, and crack your cheeks! rage! blow!
You cataracts and hurricanes, spout
Till you have drench’d our steeples, drown’d the cocks!
You sulph’rous and thought-executing fires,
Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Strike flat the thick rotundity o’ th’ world,
Crack Nature’s moulds, all germains spill at once,
That makes ingrateful man!
Rumble thy bellyful! Spit, fire! spout, rain!
Nor rain, wind, thunder, fire are my daughters.
I tax not you, you elements, with unkindness.
I never gave you kingdom, call’d you children,
You owe me no subscription. Then let fall
Your horrible pleasure. Here I stand your slave,
A poor, infirm, weak, and despis’d old man.
But yet I call you servile ministers,
That will with two pernicious daughters join
Your high-engender’d battles ‘gainst a head
So old and white as this! O! O! ’tis foul!

Frankly, I’ve always thought that—more than other Shakespearean tragic heroes—Lear pretty much deserved what he wrought. I mean—the guy couldn’t see Regan and Goneril for what they were; or Cordelia, for that matter. The tragedy was that—because he was king—his follies turned into horror for everyone around him.

Anyhow, as is my custom for Shakespeare day in National Poetry Month, here’s one of his sonnets, in which he compares love to disease. ‘Nuff said.

“Sonnet 147”

My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
Th’ uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen’s are,
At random from the truth vainly expressed:
    For I have sworn thee fair, and thought thee bright,
    Who art as black as hell, as dark as night.

©2025 Bas Bleu