Friday, November 30, 2012

Thank you kindly


I have had a bitch and a half of a week. It seems like each day brings its own particular brand of crap. And I’m not even going to go through it here.

In my NaNoWriMo novel, if faced with a week like this, one of my main characters would anesthetize herself with massive spreadsheets and crunch data until her ears were bleeding. The other main character would crank up the volume on a couple of Bach cantatas and then cycle through the Brandenburg concerti. My victim would have swallowed a bottleful of rum.

Me? I’m hunkered down with DVDs of the entire Due South series.

Make of that what you will.


Thursday, November 29, 2012

Moes gettin' hoes


The SF-based NPR station KQED is running a series by The Kitchen Sisters called “The Making of…” about, well, pretty much anything you’d care to make—from a pot of tea to something that is uniquely SF: Homobiles.



Homobiles is a donation-based dispatch-only transport service for the LGBT community. If you’re in that demographic, your chances of getting a ride from a taxi at club-closing time are low. Homobiles fills that gap.

It’s an interesting story, and I love the way the Kitchen Sisters let the participants tell it. The audio runs more than seven minutes, but it’s worth it.

I especially like the one rider who understands why regular taxi drivers might not want customers who leave behind body paint, glitter and sequins. “You can’t get that stuff out.”

Really—God bless SF.



Wednesday, November 28, 2012

Nocturnal WHAT?


So this commercial for Smirnoff came to my attention by…well, you don’t really need to know that. I don’t believe it’s running in the US; if so I’ve not actually seen it on TV.


However, I find it…interesting. Because I don’t exactly know what it’s telling me. I mean, you’d think that if they wanted me to ingest their product—which is, after all, an alcoholic drink—they would, you know, say so.

Instead, I’m apparently being urged to…paint my body multiple colors, fill a grand piano with ice and throw fruit at fans? And evidently, only at night.



Tuesday, November 27, 2012

Psychic inflation


Hmm, it seems that nothing is immune to a rise in the cost of living here in the Silicon Valley. You’ll recall the cosmic confluence on El Camino Real of businesses involved with freshening up your inner and outer personas.

Well—the price for psychic cleaning has gone up:





Monday, November 26, 2012

Here's looking at you, kid


It was 70 years ago today that one of the all-time classics of romance, wartime intrigue and just sheer verve premiered. Casablanca opened at the Hollywood Theater in NYC on 26 November 1942. Since it was a film about the fragile encrustation of normalcy plastered over the underlying desperation and fear in Vichy North Africa, its premiere was moved up from Spring of 1943 to coincide with the Allied invasion of that territory in November.

Casablanca did well both critically and at the box office, right from the beginning. It’s consistently ranked amongst the greatest films of all time on any number of such lists. I myself watch it at least a couple of times a year—sadly, no longer with a bottle of Cordon Rouge (which is what Rick & Ilsa drank at La Belle Aurore to keep the invading Germans from getting it in 1940), but maybe with a glass of Mumm Cuvée Napa. & I find new aspects to enjoy every time.

When you think you’ve memorized every possible interaction between Rick, Ilsa & Renault, there’s still plenty to explore. I especially get a kick out of the minor characters—many of whom were played by European actors who fled the Nazis in their respective countries. Carl the waiter (S.K. Sakall), Sascha the bartender (Leonid Kinskey), the Leuchtags (Ludwig Stössel & Ilka Grüning) on their way to America. (Perhaps most ironic: Conrad Veidt as Major Strasser.) Watching them in little vignettes gives me something new to discover every time. The expression on Sascha’s face when Rick tells him to take the drunken Yvonne home—and come right back; Carl pulling an extra cordial glass out of his pocket—along with the best brandy—having anticipated that he’d be invited to share; the Leuchtags practicing their conversational English.

I also really love the music war—“Die Wacht am Rhein” vs “La Marseillaise”. It’s symbolically heavy-handed, but, damn, does it have style. That’s worth the price of admission right there.


If you want to revisit Casablanca, TCM will be showing it on 6 December. Set your DVR, put a bottle of bubbly on ice & settle back to enjoy.