Dunno why, but I’ve been
thinking a lot recently of Dylan’s “Masters of War”.
He wrote it over 1962-63 and
has gone on the record as saying that the vehemence of the song surprised him.
But it’s every bit as relevant in 2026 as it was 64 years ago. Particularly the final verse.
You’d think we might have
learnt something in the intervening time. But no.
Here’s Eddie Vedder and Mike
McCready of Pearl Jam singing it at the Bob Dylan 30th anniversary
concert in 1992.
You know—it’s so exhausting to
listen to the Kleptocrat’s non-stop, 24x7x365 lying. His neverending firehose
of falsehoods, dementia-driven hallucinations, contradictions, ignorant misstatements and just
plain fucking lies.
Add in the fact that everyone
in the administration and all card-carrying Republicans in both houses of Congress
have to lie to reinforce his delusions, we’re just buried under a gigantic pile
of fly-swarmed falsehood shit.
Not even thinking about any of
the other five squillion topics he lied about this week, the unbelievable
(literally) shite about what’s going on in Iran is enough to make a cat puke. And
this is before yesterday evening’s “big announcement”.
So our earworm for today is
kind of retro, but accurate: The Sex Pistols singing “Liar”.
You know, every time—every single
time—the Kleptocrat gets up on his hind legs on the international stage, he
showers himself (and our nation) with embarrassment. Not that he, in his
molding cottage cheese brain has any notion of it. But his performance at the
NATO summit this week in Ankara was no exception.
Every time he opened his
mouth, he spewed incoherent, rambling, inapt, ignorant, bloviating lies and
bullshit. I’m not going to detail them, because I do not fancy six hours of
documenting his crap. But there was one thing that just captured my attention.
He had, of course, slagged off NATO individually and collectively throughout
the meetings, but on Wednesday, he hallucinated an incident—in private,
of course; behind closed doors where no cameras captured the moment—where the
leaders assured him, “’Sir, we love you.’ These are grown people saying that.
Isn’t that nice?”
I’m not linking to the video,
but what interested me was that when he said, “Sir, we love you,” there was a
wistfulness in his voice, as though on some level he knew that of all the
things that never happened, this never happened the most, but he so very much wanted
it to happen. It was quintessential wishcasting.
So for our earworm today, we’re
having The Doobie Brothers singing “What a Fool Believes”.
I’ve
been thinking about it all week, and I just don’t know what to tell you on
this, the 250th anniversary of our national birthday.
Pretty
sure the 56 men who signed the Declaration of Independence would side-eye each
other and go down the tavern for a gill of brandy if they caught wind of how
their bold gamble was turning out. They were ready to risk everything—“our
Lives, our Fortunes and our sacred Honor”—to break away from Mother England;
they were overwhelmingly men of property, so they had a lot to lose.
And
the men who carefully put together the Constitution, with its first ten
amendments, would be equally gobsmacked. Like the Declaration, the Constitution
was a response to a failed government (in this case, the confederation) and it
was constructed to “form a more perfect Union, establish Justice, insure
domestic Tranquility, provide for the common defence, promote the general
Welfare, and secure the Blessings of Liberty to ourselves and our Posterity”.
(Liberty figured in both documents, but the concern was lawfulness as a basis
for all government actions.) They crafted a form of government that they
intended to live and grow; one that would be immune to feckless rulers, corrupt
judges or petty legislators because of the built-in checks and balances.
They
just didn’t anticipate a circumstance when we would have all three at the same
time.
This
administration has committed many of the crimes in the Declaration’s indictment
of George III, in addition to many others no English king could have imagined.
The Kleptocrat is manipulating global stock markets with his tariff
declarations; building an armed secret police that can be turned against anyone
in the country, citizen or not; declaring war on states, governors, mayors and
anyone who doesn’t sufficiently bend the knee to him; breaking international
treaties; desecrating national monuments; committing war crimes; violating
constitutional provisions; ignoring actual laws; selling off national lands;
enriching his family and friends; alienating our allies and squandering our
soft power; and generally behaving more despotically than anyone since Ivan the
Terrible.
Beyond
that, he is visibly rotting both physically and mentally. We’ve all seen him
falling asleep at official functions any time he’s not actually speaking. We’ve
clocked him staggering and stumbling (on stairs and ramps particularly). We’ve
noted his bruised and spackled hands, bloated face, swollen ankles. We’ve
listened to him brag about taking repeated cognitive tests as though that’s an
achievement, not a warning sign. And—more than anything else—we’ve watched as
his speech increasingly slurs, animated only when he gets to grievances (of
which he has legion), punctuated by the mangling of multisyllabic words. The
guy is the picture of Dorian Gray.
Congress—more
specifically, Republicans in Congress—have utterly abrogated their
constitutional power because they’re terrified that TACOman will sic his
followers on them either politically or physically. They’re willing to kiss the
ring just to hold the title (and those sweet, sweet lobbying contributions and
insider trading opportunities), as they tug their forelocks and murmur, “Yas,
boss” whenever he makes another demand on them. They’ve taken away healthcare
from millions of Americans, thrown billions of dollars at ICE, gutted
environmental protections and given billionaires and corporations more
billions, hustling to get the job done in time to get home for July 4th
fireworks and barbecues with the constituents they’re fucking over.
And
the courts—God bless them, the frontline judges and even most of the Circuit
judges are doing their damned jobs like Trojans, but the most corrupt SCOTUS in
history is in hog heaven, using their court-of-last-appeal power to cut out the
constitutional support for decades of progress on civil rights. They’re barely
cloaking their intent (or their glee) in their rulings. I’m pretty sure they
write “because we can” in all of them and some clerk removes it before they’re
released.
So—that’s
where we are.
But
let me say a few words about what we could be—still.
Tomorrow
is the 250th anniversary of our founding. Which is to say—we’re
celebrating the birth of our nation, dating from the day we drove a stake in
the ground and said, “We declare ourselves independent,” and setting out the
legal and moral case for the American colonies separating themselves from
Mother England. I’ve written
about this before, and it never grows stale.
The
Founding Fathers weighed all their options and agreed that—much as they were
sons of the Enlightenment hoping for a reasonable solution to all the tsuris
they were getting from His Majesty’s Government—force of arms was going to be
necessary to achieving and protecting those “certain unalienable Rights…Life,
Liberty and the pursuit of Happiness.” The price of freedom would include both
blood and treasure, and toward that end, “we mutually pledge to each other our
Lives, our Fortunes and our sacred Honor.”
And
when I think of the Founding Fathers and stunningly beautiful political
documents (which you’d naturally think is an oxymoron of the first order, but
it turns out you’d be wrong), I include the Constitution of the United States.
Even though it came nine years and a war later, the Constitution demonstrates
the mindset of the men who wrote it—devising an entirely new form of government
of checks and balances, not easily susceptible to coups, which gave the
people various guaranteed means of seeking redress.
And
beyond that—it was what software product managers would call “a scalable
platform”: it provided for growth and change as the nation did the same. Stuff
happens; they wanted the government to be able to accommodate it, even though
they understood they had no idea what form it might take.
(Yes,
we are once again in what Abraham Lincoln referred to as a great test of “whether
that nation or any nation so conceived and so dedicated can long endure.” See
the opening paragraphs of this post.)
But
here’s my point (finally) about what just makes me do the happy dance for our
national holiday. Americans—the folks reviled pretty much everywhere at one
time or another in the second half of the last century as being warmongering
minions of the military-industrial complex—celebrate the adoption of
the Declaration of Independence. Not the day shots were first fired; or the day
of the final surrender.
It’s
the day when the representatives of the people (not the generals) resolved that
these colonies should be independent. And by resolving, they made it so.
Yeah—guff
me no guff about them all being wealthy white males, or that they did not
conceive of a time when non-white non-males might be represented in ruling
bodies. (Guff me no guff and see above about the scalable governmental
platform.) And pick me no nits about the actual date-stamp on the actual
signing of the actual document. Sometimes you just have to drive a stake in the
ground and work with it. July 4th was, as they say, close
enough for government work.
And
what we work with is the fundamental idea that the thing to be commemorated—not
with gigantic displays of military might, with tanks, self-propelled guns,
marching divisions and fly-overs, but with homemade floats in community
parades, picnics and barbecues, and children waving sparklers—is not a victory
in battle, but the victory of an ideal.
The
thing about this particular victory is that it’s not one-and-done. It has to be
renewed every day, again and again. Signing the Declaration of Independence,
defeating British armies, writing the Constitution—that was all just the
beginning. The Founding Fathers did their jobs as best they could; we have to
keep doing ours, as best we can. And we can start by celebrating this anniversary like we always do—with barbecues with our neighbors, town parades and local fireworks; not the money-laundering self-referential, tacky displays emanating like a miasma from 1600 Pennsylvania Avenue.
With
all that said, what should be our earworm for today? I’m thinking something
about how immigration not only enriches the American spirit, but makes it. So
Neil Diamond it is.
Given the whole saga of the
Lincoln Memorial Reflecting Pool—the graft that keeps on grifting; the $15M "improvement" job that lasted less than a tenth of a Scaramucci before it began to sprout algae bloom—I think the
only possible earworm for today has to be “Bein’ Green”. And who
else to sing it but the OG, Kermit the Frog.
Juneteenth has been a federal
holiday since 2021; forward-thinking organizations began marking it in the wake
of the murder of George Floyd by Minneapolis cops. One, Derek Chauvin, shoved
his knee to Floyd’s throat for nearly 10 minutes, while his colleagues watched.
(Chauvin was subsequently
tried for the murder—after considerable shenanigans by the Minneapolis police
department and massive nationwide protests. He’s currently serving his sentence
of 22.5 years. Even SCOTUS denied his appeal. However, last week Minneapolis
Republicans observed a “moment of silence” for him at their state convention.
He could still get a pardon or commutation via pressure from the White House, just
as Colorado governor Jared Polis pardoned Tina Peters. Justice, man…)
If you’re unclear about
Juneteenth, it commemorates the day in 1865 when news arrived in Galveston with
Union troops that the end of the War Between the States meant emancipation for
slaves across the country. The Emancipation Proclamation, which the victory at
Antietam in September of 1862 made possible, outlawed slavery in all
territories then in rebellion against the United States. However, as you might
imagine, the Confederates basically said, “Yeah, and?” and got on with their
slaving business for another two years. Two months after the surrender of the
Army of Northern Virginia at Appomattox Court House, the “and” question was
answered in Texas.
We all know that we have yet
to fulfill the promise of emancipation; for that matter, we have yet to fulfill
the ideals of a more perfect union, equal justice, domestic tranquility,
general welfare and the blessings of liberty. But Juneteenth reminds us that,
even when we can’t see the full arc of the moral universe, we feel it in our
consciences and we are obligated to do our part to ensure that it bends toward
justice.
For that reason, Republicans
up and down the spectrum are grumbling and scuffing their toes in the dirt (as
they do on Martin Luther King, Jr. Day), pissed off at the reminder that they
actually lost that war and that the Thirteenth, Fourteenth and Fifteenth
Amendments to the Constitution exist. (Even if SCOTUS can’t seem to find them.)
However, those of us with a
working conscience and a moral compass that isn’t permanently stuck on
terror-fueled racism can take a few moments today to consider how emancipation
enriches everyone, because humanity is not actually a zero-sum game.
In honor of Juneteenth, here’s
musical prodigy Jon Batiste performing “Freedom”. Both your eyes as well as your ears are in for a treat.
Somewhat hidden in this week’s headlines about the
Kleptocrat being roundly booed (and falling asleep) at Game 3 of the NBA finals,
him declaring that he “love[s] the inflation” and him getting pissed off that
Iran’s not behaving like Republicans in Congress and therefore resuming war
crimes was news that America’s farmers are struggling.
He flew to Wisconsin last Friday to rally the racists, where
he had to mock up a “panel” of others so he could sit instead of stand at a
podium. Then he threw a hissy fit when sitting in a mocked-up barn being
interviewed Meet the Press; Kristen Welker kept asking for evidence of his
insane claims about rigged elections past and present, so he ripped off his
mic, stomped on it and then stormed out with a parting, “Thank you, darling.”
During the “panel”, he announced that he’s going to hawk up
another few billions of taxpayer money to help farmers over “the bump” of
tariff-tanked soybean sales to China, climate-change-induced drought and
escalating fuel prices and fertilizer shortages due to the Iran war. He’ll
probably eventually come through with it because the mid-term election is in
five months.
Even so—farm bankruptcies are skyrocketing and so are food
costs for us, the consumers. It’s not a pretty picture.
So my earworm for today is Nanci Griffith’s “Trouble in the
Fields”. Sadly, it’s as true today as it was when she wrote it during the farm
crisis in 1987.
Around the early part of June, my mind turns to one of the
more momentous events of the 20th Century: the invasion of Normandy
beaches. D-Day. It was an extraordinary endeavor of infinite complexity, both
militarily and logistically. And before the day of computers and networking.
Take that, AI.
In terms of human costs, about 4400 Allied soldiers died on
6 June 1944; German deaths are estimated between 4000 and 9000. You can get a
glimpse of that at the three military cemeteries within a few kilometers of one
another near Omaha Beach: Colleville-sur-mer,
American; Bayeux,
British; and La
Cambe, German. I’ve walked them all, several times.
The American cemetery is situated on the bluff above Omaha
Beach. You can stand at the edge and look down on the scene of the
slaughter. And wonder how the hell they ever made it up to where you are.
The graves are marked with white marble crosses, with the occasional Star of
David interspersed. It’s quiet, usually, except for the wind. More than 9300
men lie there—not all fallen at Normandy, but congregated there in the
fellowship of death.
The British cemetery, run by the Commonwealth War Graves
Commission, is in the heart of Bayeux, the town they took on 7 June. The
headstones are like those at all CWGC graveyards—identically-sized slabs of
white marble engraved with the soldier’s name, regiment and date of
death (if known; otherwise a cross and “known but to God”
inscribed); a centrally-located Cross of Sacrifice (tall marble cross
with a sword inset), and a Stone of Remembrance, inscribed “Their
Name Liveth Forevermore”. More than 4000 Brits, Commonwealth, Poles,
French and others lie there.
La Cambe is outside Bayeux; you get to it down a quiet road
that seems to have no other purpose but to lead you to the dead. The cemetery
is maintained by the Volksbund Deutsche Kriegsgräberfürsorge, the
German counterpart to the CWGC. It’s not as large space-wise as the two Allied
graveyards. That’s because when you look at the inscriptions on the black metal
markers set into the earth, you see there are often two to five men buried in a
single spot. Plus, there are the nearly 300 known and unknown under
the central mound. More than 21,000 men lie there.
(I need to digitize the photos I took of Bayeux and La
Cambe; apologies.)
The thing that struck me almost from the first in these
three cemeteries was the ages on the markers—you almost never see anyone who’d
reached 24. Most were in the 19-22-year age range. When you’d expect them to be
in college, or working their first jobs.
I’ve often wondered what the world lost through those early
deaths. What music never was composed? What scientific breakthroughs never
made? What civic gains, feats of sportsmanship, family enrichment just
disappeared from the future in June 1944?
That, of course, is in addition to the
anguish and sorrow that engulfed their families.
Parents, siblings, wives, children—bereft and left alone to sort
out a world gone mad. No one to repair the gutter or fix the bike; to guide
a grandchild’s hands tying a bow knot; to comfort a friend; to surprise a lover
with flowers.
It had to be done—it always seems to need doing. Especially
since we see the resurgence of fascism and totalitarianism all around us. But
take a few moments this week to think on those lives cut short in Normandy 75
years ago. The boys of D-Day who put their lives on the line for their
generation and those that followed.
And so, for today’s earworm we’re having something that
soldiers on both sides would have been listening to.
The song we know as “Lili Marlene” originated as a poem in
the First World War (the one that was supposed to end all wars), written by a
Hamburg schoolteacher conscripted into the German army, Hans Leip. It was set
to music by Norbert Schultze in 1938 and recorded by a German singer, Lale
Andersen, in 1939.
The gist of the piece is a lonely soldier on watch, missing
his girlfriend. Pretty universal—I expect there was some Greek song around 520
BCE that expresses the same thoughts.
The song pretty much went nowhere until in 1941 German
troops occupied Belgrade, in Yugoslavia, and needed recordings to broadcast
over Radio Belgrade. Andersen’s “Lili Marlene” was one of the few discs the
station had, so it got played a lot. And soldiers loved it.
But Reich propaganda minister Josef Goebbels loathed it. It
wasn’t sufficiently martial—no proper German soldiers had time to miss their
girlfriends or be anything but aggressively victorious. (He'd get along so well with Kegsbreath.) Besides, Andersen hung
around with Jewish artists, which was not the done thing.
Still—soldiers within range of Radio Belgrade demanded more
“Lili Marlene”. It expanded coverage to North Africa, where the British Eighth
Army took it up. By the time Allied forces landed on the Normandy beaches in
1944, it was on everyone’s playlist, and a standard for Marlene Dietrich’s USO
performances. Vera Lynn also covered it.
(It's kind of interesting that a song with a male soldier's
narrative seems only to have been covered by female singers.)
So, the Kleptocrat & Co. are taking over the National
Mall to perpetrate something they’re calling the Great American State Fair as
part of his notion of a 250th birthday celebration of US
independence. It runs from 25 June to 10 July (following the 14 June UFC match
taking place at the White Trash House, to celebrate his 80th
birthday. You may recall that last year he commandeered the US Army to stage a
military parade down Pennsylvania Avenue for the occasion; it did not whelm).
I don’t know exactly what this particular clown show is
about; their PR says something about “the future of AI” and a 110ft ferris
wheel. It’s meant to be an extravaganza with all 56 states and territories represented,
but I’m imagining it hasn’t been especially well organized.
Viz: this is the stated lineup of performers, as released
Wednesday:
As of yesterday, Morris Day and the Time, Young MC, The Commodores and C+C Music Factory have
announced they are not, in fact, going to perform. Oh—and Milli Vanilli (Millo Vanillo?) claim they were never
contacted about the gig. (And, Martina—girl, run!)
So our earworm for today is Morris Day and The Time,
performing “Jungle Love” from Purple Rain.
In honor of the Kleptocrat’s latest massive theft from the
US treasury—the “settlement” his acting Attorney General handed him of $1.8B to
disburse as he sees fit to his minions, today’s earworm is Pink Floyd’s “Money”.
At time of writing, the Kleptocrat is in Beijing, having
his ass handed to him by Xi Jinping, although it’s unlikely that fact will have
penetrated to the porridge that sloshes inside his cranium. He’ll come back
raving about “the deal” he made, when basically Xi gave him bupkis.
Cf. the big “summit” he held with Putin in August, when KGB
Daddy left even before lunch.
Anyway, I think today’s earworm needs to be “Tears of a
Clown”, so here are Smokey Robinson and The Miracles to sing it for you.
Yesterday was one of those overcast days that May has been
interspersing with absolutely gorgeous, humidity-free sunshine. Just after
noon, I was sitting at my computer, doing some things, when I looked up and the
sun was out.
I’ve been thinking that we—meaning I—need something to
start the new month off on a different note from most of my posts for National
Poetry Month. May 1st is May Day, which in European tradition
celebrates the full blossoming of Spring. It’s also Beltane, in the Celtic
calendar, marking the halfway point between the Spring Equinox and the Summer
Solstice. It’s also International Workers Day, celebrating the strength and
value of the laboring classes around the world. And it's a day beloved by dictators to show off their military prowess.
For all these reasons, today’s earworm should be exuberant,
lively and danceable. So “The Lusty Month of May” has buzzing around my head
for about a week and a half. It’s from the musical Camelot, with Queen
Guenevere urging the Knights of the Round Table and the courtiers to cast off
the gloom of winter, bust some moves and be fruitful.
Now, I’d been thinking about the song just because it’s such
an animated piece. But this week I started considering the setting—the whole
play; that made me sad. Because Camelot is about a king who wants to
turn the notion of might makes right around and create a court where those with
power don’t use it to oppress those without it, but instead deploy might for
right.
In the end, it collapses not so much because Lancelot and
Guenevere’s love betrays Arthur, but because that evil toad Mordred poisons the
entire court, bringing it all down; all of it. The final scene is Arthur
telling a young Tom of Warwick:
“Don’t let it be forgot
“That once there was a spot
“For one, brief shining moment
“That was known as Camelot.”
And this caused me to wonder if we in the United States are
in that moment where everything is crashing down because an evil toad poisoned
our society and we’re about to be consigned to the mists of history.
Well, anyway—“The Lusty Month of May”, from the original
Broadway cast.
Everything is not terrible. Tuesday Virginians voted to
approve a plan to redraw congressional districts; this new map leans heavily
Blue, which is enraging everyone with an (R) after their name.
I mean some clown car calling itself “Justice for Democracy
PAC” has been sending out multiple variants of flyers that actually use photos
of Barack Obama urging Virginia to “Protect minority representation” by voting
against it.
This in addition to other spurious claims like this is Governor
Abigail Spanberger’s doing. (The referendum was on approving a bill from the
state legislature, not a power-grab by Spanberger; she just signed it, allowing it to be voted on by us.) They were really counting on
the stupidity and/or confusion by the voting public.
Yes, the new districts are drawn to favor Democrats,
potentially flipping four seats to Blue. Yes, this is absolutely gerrymandering.
But also yes, this undoes the last round of gerrymandering in 2010, which served
up safely Republican Representatives for a decade and a half.
And again yes, this particular cycle of gerrymandering was
started by Republicans in Texas (egged on by the Kleptocrat), when the lege
mandated new district lines that disenfranchised heavily Latino areas—mandated,
mind you, without any consultation from the voters. So the same people who
lauded the Texas changes are currently hopping mad at the outrage of being
served up what they dished out.
BTW: this is how the Washington Post's editorial board heralded the Texas change:
And here's how it covered Tuesday's vote in Virginia:
(Update: a Virginia GOP-appointed judge ruled Wednesday that the redistricting amendment is unconstitutional, that all votes are invalid and that the state is barred permanently from implementing the changes. Attorney General Jay Jones has said he'll appeal. My prediction if this goes to SCOTUS, they'll faff about until it's too late to change the districts for the mid-term elections in November. Nonetheless: the people voted.)
So my earworm for today is “Words of Wonder/Get Up, Stand
Up”, by Playing for Change and featuring the immortal (truly) Keith Richards. (Richards wrote "Words of Wonder"; "Get Up, Stand Up" is from the also immortal Bob Marley.)
For some reason, I’ve been thinking about “Pride of Man”
for the past couple of weeks. Hamilton Camp wrote it in 1964, but its
apocalyptic lyrics seem to be exactly spot on 62 years later.
There are a lot of covers out there—best known may be the
one by Quicksilver Messenger Service. But I’m going with Gordon Lightfoot’s, as
he gives it just the right amount of urgency for our times.
Our earworm for National Poetry Month today is from the
Irish-American Celtic punk band Dropkick Murphys. Now in their third decade,
the Quincy, Mass.-based Murphys are still living their principles: pro-union, anti-fascism,
community building.
For 2026, they reworked their “Citizen C.I.A” into “Citizen
I.C.E”, so here it is.
Today is Good Friday for Western Christians—commemorating the
death on the cross of Jesus Christ. It is one of the most sacred days of the
calendar, a time for reflection on the sacrifice made to wash away the sins of
mankind.
So I don’t know what blasphemy the Kleptocrat will be
committing, but I imagine he might revive hawking his “God Bless the USA”
Bibles at $59.99 a pop (plush S&H). That was his contribution to the season
two years ago, thus bringing the practice of simony into the 21st Century.
This is a guy who cannot quote a single Bible verse; who
only appears in churches for campaign photo opportunities and funerals, because
services conflict with his own worship, on the golf course. (Although, okay, he
has broken most of the Ten Commandments.) So it is seriously cherce to watch
the video in which he proclaims multiple times that the Bible is his favorite
book and that “religion and Christianity” are what’s missing from this country.
(It’s still out there, but I’m not linking to it. It may even be on the White
House site.)
This was a day after he wished everyone “Happy Holy Week,”
and .shared something allegedly sent to him comparing his travails to the
sufferings of Christ during this time. (People all over the Socials offered to
give him a chance: die on the cross (or, TBH, just die) and if he rises after
three days, okay. I myself would appoint multiple monitors to watch over him
for the three days, sticking pins into random places every few minutes before
I'd accept that he had actually died. This is not personal, I wanted to do it
for Kenny Lay when he evaded prison for his Enron crimes by allegedly dying.)
Anyway, since the crucifixion of Good Friday is the setup
for the resurrection of Easter, today we’re having the old spiritual “Were You
There When They Crucified My Lord.” I can think of no one better to sing it
than Mahalia Jackson.
Whee, doggies—another whirlwind week in global geopolitics,
brought to us by the worst, dumbest, most corrupt and incompetent
administration in US history. Just a few highlights:
The kind of messaging you never want to see regarding any
war (much less an illegal war of aggression) from the brain-rotted asshole driving the show:
Then we find out that said asshole—the one whose Daily
Presidential Briefing on intelligence has been reduced to three bullet points
in crayon accompanied by some swell GIFs—can’t take anything more complicated
by way of reports on the war from the military chiefs than a two-minute video
compilation of (as one aide described it) “things going boom”. He only wants to
see “successful” operations before he gets his little container of pudding.
And finally, House Republicans announced on Wednesday that
they’ve created an “America First” prize, and the first
recipient is…the asshole who still doesn’t have a Nobel Peace Prize. I am unable to find any images, but it is indubitably gold-plated. Possibly in the form of a calf. It may be that Republican ladies have contributed their gold jewelry to be melted down for the purpose.
Seriously—this timeline sucks.
So our earworm for today is “Don’t Nobody Bring Me No Bad
News”, from The Wiz. It just has to be.
In 2022, deputies from the Adams County, Ohio, sheriff’s
department raided the home of Joseph Foreman, apparently looking for evidence related
to kidnapping and drug trafficking. They found no such evidence and filed no
charges against Foreman, a rapper with the stage name Afroman. But they did
break in his door and cause other damage.
Adams County—population 28,000—is 97% white; Afroman is Black.
I sort of feel these are relevant facts.
Afroman’s then-wife recorded the raid on video, which he
has used in videos of his own. Let me just say that Adams County’s finest do
not come off looking quite so fine, so of course seven of them sued him,
claiming his videos, “Help Me Repair My Door” and “Lemon Pound Cake”, subjected
them to ridicule, emotional distress and threats. They put the price of
assuaging their feelings at $4M.
Afroman claimed his First Amendment right, along with
artistic expression. He also pointed out in court earlier this week that the
videos raised funds needed to repair the property damage the deputies caused.
If they hadn’t barged into his house, he wouldn’t have needed to tell the story
to make money.
Here’s a photo of him (by Paul Weeden/WCPO) testifying:
It took the jury a few hours (including electing a
foreperson, ordering lunch and filling out the forms for all 13 counts) about
half a day to rule in the rapper’s favor. His response: “We did it, America.
Freedom of speech. It’s still for the people, by the people.”
So our earworm today is “Lemon Pound Cake”. ‘Nuff said.
As you know, I am of the opinion that Saint Patrick’s
Day is
largely an Irish-American construct—the kind of thing an under-appreciated
minority puts on to cock a snook at the majority. After all, you don’t really
need to celebrate being Irish in Ireland because you’re in, well, you know,
Ireland. (Although about 30 years ago they wised up to the potential tourist
bonanza it could be and have been raking in the readies ever since.)
You do need to celebrate it in a culture
that looks down on you as a jumped-up ignorant bunch of dirt-encrusted,
drink-swilling lowlifes who take orders directly from the Pope and lower
property values wherever you go.
So not surprising that someone decided to declare Saint
Patrick’s Day an occasion for pretending to be Irish by going pub crawling,
drinking green beer and singing rebel songs.
Whatever.
I myself don’t venture into bars or taverns on Saint
Patrick’s Day because I don’t like mixing with all those amateur drinkers. But
I can still express the sentiment with a song or two.
Here’s one of my all-time favorites, which goes well with a
slurp of Cooper’s Croze—“The Auld Triangle”. Written by Dick Shannon in 1952,
it became famous when it was featured in Brendan Behan’s 1956 play, The
Quare Fella. The play is set in Dublin’s Montjoy Prison, where he was the
guest of the Irish government in his youth and where a triangle signaled shifts
in the prison’s daily routine.
I once walked along the Royal Canal, singing it to myself. As one does.
Here are The Dubliners singing it. Lift a glass for all enclosed
by walls not of their choosing.