The
rites surrounding a household’s Christmas tree can lead to familial precipices.
Real or artificial? Plastic or aluminum? Living or cut? When and where to put it
up? What lights—all white, colored, blinking, steady, bubble? Angel or star on the top? Or weird bulbous pointy thing? And then there
are the ornaments—which ones, from what side of the family?
It’s
a thing.
My
mom always bought the tree from the lot at Safeway soon after Thanksgiving. She
left it standing in a pail of water in a shady corner of the back yard until around the
second weekend in December and we could finally put it up in the bay window in
the living room and decorate it. In unvarying ritual, Dad put on the strands of
lights; we screwed in the bulbs (this was pre-integrated lights, folks) except
for on the high branches; Mom draped the garland. Then we pulled the glass ball
ornaments out of their tissue-paper nests in yellowing cardboard boxes,
connected the wire hangers and carefully hung them on the tree. Some of those
ornaments were pre-war, and their paint was fading; I don’t recall my parents
ever buying any new ornaments throughout my childhood; we just used the same
ones year after year.
But
I know people who don’t even buy
their tree until the 24th. I don’t judge.
However,
in the meantime, “O Tannenbaum” is perfectly appropriate for Advent.
The
melody for this song is a German folk tune dating to 16th Century Silesia,
an area of Eastern Europe that has belonged at one time or another to Austria,
Poland, Germany and Czechoslovakia (as was). Clearly it’s a province whose
inhabitants need to value things like music, art and suchlike as antidotes for
politics.
The
19th Century lyrics that have been set to the old tune do not specifically
refer to Christmas—a Tannenbaum is actually a fir tree, although the word has
taken on the meaning of a fir tree for Christmas. There’s also no mention of
decorating the fir tree. No, the words speak of how the tree’s leaves stay
green throughout the year, winter as well as summer. (Additional verses added
over the years do bring in Christmas.)
Evergreens—firs, pines and the like—are of
course symbols of eternal life. Pre-Christian Europeans decorated their houses
with evergreen branches to celebrate the winter solstice, when the sun turns
the corner and begins to return to the world. Christians go one step further
with adding lights—candles and then electric—to beat back the darkness. The
ornaments help refract the light into the room.
(Unless you’re like someone I know whose family
tradition is to not have lights on your tree. I don’t judge.)
I love Christmas trees, however they're decorated, wherever they are, even if it's for commercial purposes; I just love them.
Let’s hear the Philharmonic Children’s Choir of Dresden sing about them, then:
Let’s hear the Philharmonic Children’s Choir of Dresden sing about them, then:
Seems appropriate to have kids singing this
one.
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