Family deserves two
days if we’re talking about women’s Voices, so let me continue.
I actually can’t
recall whether my BFF first brought me to Mary Black’s “Bless the Road”, or I sent
it her way. Either way, the song is inextricably woven into my friendship with
her, and the mother-child link.
If other artists have
covered the song (by Steve Cooney), I don’t know them, and I don’t much care
about finding them. Have a listen.
The second Voice
today is about a child's plea to her father to overcome his pride and help her win her lover. I think “O mio babbino caro” is just about
the most exquisite aria written for the soprano range. But I have a, um,
somewhat ancillary association with it.
Back when I was employed
by a data networking company in Virginia, my group supported a number of major
telecommunications accounts, so I worked closely with the account managers and
their lead systems engineers. Some of the latter were what you might call unpolished,
although being customer-facing, they certainly had their quota of charm. I walked
into the office of one of the rougher and readier SEs, waiting for a project
meeting to start, and I was quite surprised (read gobsmacked) to hear “O mio
babbino caro” playing on his ghetto blaster.
“Why [Bob],” I said, “I
didn’t know you like Puccini.”
“[Bas Bleu],” he
replied, “I’m fuckin’ crazy about
Puccini.”
Well—hard to cough up a comeback to that, so I just sat quietly until everyone arrived for the meeting.
(Of course, at the
time I didn’t realize that he was engaged in an affair with the account
manager, who happened to be a coloratura. It made somewhat more sense once I
was put in the picture. Years later.)
I must have CDs from six,
maybe ten different women singing this, but I’ll give you the lyric soprano Kiri
Te Kanawa, as being just about the middle of the range.
No comments:
Post a Comment