In addition to Peter Norman Day, 9 October is also
Ada Lovelace Day, when we honor women in Science, Technology, Engineering and
Mathematics (STEM). In years past, I’ve written about such
brilliant minds as Grace
Hopper (whose celebration I attended just two weeks ago);
Nobel Laureate (for physiology/medicine) Rosalyn Sussman; Hedy
Lamarr (who developed the radio frequency hopping system that
underpins mobile telephony); research chemist Marie M.
Daly; IDEO designer Barbara
Beskind; and Joan
Struthers Curran and Beatrice
Shilling, engineers whose work contributed to our
victory in the Second World War.
This year I’m branching out on the engineering
theme, and giving you the noted American architect of the 20th
Century, Julia Morgan. Born in San Francisco and raised in Oakland, Morgan was
the first woman to be licensed as an architect in the State of California,
following studies at the University of California, Berkeley, and l’École
nationale supérieure des beaux-arts in Paris (where she was the first female
student).
After a stint with another architectural firm, Morgan
opened her own practice, embracing the Arts and Crafts style. She ran her firm
in the atelier style, and was exceptionally generous in teaching those who
worked with her. She designed a number of structures for the women-only Mills
College and several YMCA buildings (including the one in Pasadena, where I
learned to swim).
Morgan is perhaps best known for a single
client, being the architect for William Randolph Hearst’s mansion at San Simeon,
on the Central California Coast; we know it as Hearst’s Castle. Morgan had to
incorporate a whole range of styles and architectural pieces that Hearst had picked
up in his travels. Frankly, I do not find it particularly inviting as a result,
but there are certainly some spectacular elements, notably the truly spectacular Neptune Pool.
But she was exceptionally prolific. Here are
some other buildings she designed:
The Berkeley City Club:
The Ladies Protection and Relief Society’s The
Heritage nursing home (one of only a few pre-WWII buildings to survive the Loma
Prieta earthquake of 1989):
Fairmont Hotel:
Morgan got the job of redesigning the hotel,
which was damaged in the 1906 earthquake. She was a pioneer in the deployment
of earthquake-resistant materials, including reinforced concrete.
Chinatown YWCA:
Girton Hall (UC Berkeley):
The Sausalito Women's Club:
And those are just a few from around the Bay
Area.
We don’t know much about Morgan’s personal
life; architecture seems to have consumed everything for her. In the span of
her career before her retirement in 1951, she designed hundreds of public and
private structures, taking commissions from the ultra-wealthy to help subsidize
her work for organizations serving women and minorities. Her legacy is somewhat
localized, but truly impressive.
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