The most common picture
that comes to mind when we hear “First World War” is probably trenches snaking
across Belgium and Northern France. We may have some vague notion of activities
on the Eastern Front, or along the Dardanelles—or even Jerusalem and Damascus. But
the war along the Italian Alps almost never makes the headlines (unless you’re
a Hemingway fan).
And yet the Isonzo River
was the scene of no fewer than twelve distinct, ghastly battles. Historian Mark
Thompson sets the stage: “Imagine the flat or gently rolling horizon of
Flanders tilting at 30 or 40 degrees, made of grey limestone that turns
blinding white in summer.” And imagine the futility of launching attack after
attack against entrenched fortifications across the seasons in that terrain.
From December 1915, Giuseppe
Ungaretti served in the Brescia Brigade along the Isonzo—in his late 20s, he’d
already absorbed the cultures of Egypt (where he was born to immigrants from
Tuscany), Paris (where he went to study, and was influenced by Rimbaud, Apollinaire
and other modernists) and Turin (where he’d trained to be a teacher). His poems
are distilled down to the bare essence of his observations and experiences.
In today’s National
Poetry Month entry, Ungaretti frames the confluence of the flow of his life in
terms of the rivers symbolic of his experiences, converging on the Isonzo,
which polishes him like a stone. It was written in August, 1916.
“Rivers”
I cling to this mangled tree
Left to lie in the crevasse
That has all the indolence
Of a circus
Before or after the show
And I watch
The tranquil passing
Of clouds across the moon.
This morning
I stretched out
In an urn of water
And like a relic
Rested.
The Isonzo rushing
Polished me
As one of its stones.
I pulled
My bones together
And off I went
On the water
Like an acrobat.
I squatted down
Beside my clothes
Filthy with war and like a Bedouin
I bowed to receive
The sun
This is the Isonzo
And here I best
Acknowledged myself
A pliant fiber
In the Universe.
My torment
Comes when
I think myself
Out of harmony. But those hidden
Hands
That immerse me
Give me freely
An uncommon
Happiness.
I have gone
Through the stages
Of my life
These are my rivers.
This is the Serchio
From which perhaps two thousand
Years of my own country folk
And my father and my mother
Have drawn their water
This is the Nile
That saw me born
And saw me grow
In unawareness
On the expansive plains.
This is the Seine
And in its swirl I mingled
And I came to know myself
These are my rivers
Tallied in the Isonzo.
This is my nostalgia
That in each of them
It comes to me
Now that night has fallen
That my life to me seems
A flower
Of shadows.
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