As I’ve
pointed out before, upon inauguration the Kleptocrat got the biggest box of
toys ever—the US economy, the US legal system and the US military. And he’s
reacted exactly as expected for a 70-year-old narcissist with compensation
issues and no impulse control.
His attempts in all
these areas—illegal executive orders, cabinet appointments aimed at dismantling
government, policy-making aimed at filling his corporate coffers—are terrifying.
But it’s his use of what he’s pleased to call “my military” that we’ll consider today. Because the pathetic git who
claims that a stint at a military high school 50 years ago gave him a better
grasp on geo-politics than all our flag officers put together actually
approaches brinksmanship with the gusto of having just unpacked a box of shiny
new toy soldiers. He can’t keep straight which country he fired 59 missiles at,
but he can give you details about the piece of chocolate cake he was eating
when he gave the order.
(His real expertise in
military matters was his ability to get five bogus deferments to avoid
active service during the Vietnam War. His access to America's armed forces enables him to be petty, bloody-minded and vindictive on a scale he could only dream of before.)
We used to call his ilk
chicken hawks—the ones e.e. cummings was talking about in “next
to god of course america”. They flap their manicured hands (tiny or not)
about to urge other people’s babies to go in harm’s way in defense of personal
gain wrapped up in national honor and patriotism, while remaining safely at
home with all their children intact. They never feel the consequences of their
actions because the filth and mayhem of war just never comes close enough to
touch them.
The Kleptocrat's flavor of chicken hawkery is that the one lesson he's learnt from his missile attack on Syria (not Iraq), and sending "a YUGE armada" somewhere--possibly toward North Korea, possibly not--is that when he makes big bang sounds, his supporters are energized and his approval ratings rise a couple of points. He's stiill below 50%, but any improvement (in any poll, no matter how small the sample) causes the bluster tweets to rise accordingly. And ratings (and profit) are all the reality TV player cares about.
The Kleptocrat's flavor of chicken hawkery is that the one lesson he's learnt from his missile attack on Syria (not Iraq), and sending "a YUGE armada" somewhere--possibly toward North Korea, possibly not--is that when he makes big bang sounds, his supporters are energized and his approval ratings rise a couple of points. He's stiill below 50%, but any improvement (in any poll, no matter how small the sample) causes the bluster tweets to rise accordingly. And ratings (and profit) are all the reality TV player cares about.
The War Poets of World
War I held the chicken hawks of that era—the politicians and the profiteers—in the
contempt they thoroughly deserved. We got a taste of it earlier this month with
Siegfried Sassoon’s “Suicide
in the Trenches”. But let’s have something from Wilfred Owen, possibly my
favorite.
There’s a lot going on
in “Strange Meeting”, both poetically and in the narrative. Owen messes with
the rhyming scheme, using pararhyme or slanted rhymes—the “rhyming” words don’t
land quite squarely. Groined/groaned; moan/mourn. We have narrative references
to the Hell of Dante, the title coming from Shelley… And the enemy soldier the
poet meets—who is he, really?
Is it possibly himself?
“Strange Meeting”
It
seemed that out of battle I escaped
Down
some profound dull tunnel, long since scooped
Through
granites which titanic wars had groined.
Yet
also there encumbered sleepers groaned,
Too
fast in thought or death to be bestirred.
Then,
as I probed them, one sprang up, and stared
With
piteous recognition in fixed eyes,
Lifting
distressful hands, as if to bless.
And
by his smile, I knew that sullen hall,—
By
his dead smile I knew we stood in Hell.
With
a thousand fears that vision's face was grained;
Yet
no blood reached there from the upper ground,
And
no guns thumped, or down the flues made moan.
“Strange
friend,” I said, “here is no cause to mourn.”
“None,”
said that other, “save the undone years,
The
hopelessness. Whatever hope is yours,
Was
my life also; I went hunting wild
After
the wildest beauty in the world,
Which
lies not calm in eyes, or braided hair,
But
mocks the steady running of the hour,
And
if it grieves, grieves richlier than here.
For
by my glee might many men have laughed,
And
of my weeping something had been left,
Which
must die now. I mean the truth untold,
The
pity of war, the pity war distilled.
Now
men will go content with what we spoiled.
Or,
discontent, boil bloody, and be spilled.
They
will be swift with swiftness of the tigress.
None
will break ranks, though nations trek from progress.
Courage
was mine, and I had mystery;
Wisdom
was mine, and I had mastery:
To
miss the march of this retreating world
Into
vain citadels that are not walled.
Then,
when much blood had clogged their chariot-wheels,
I
would go up and wash them from sweet wells,
Even
with truths that lie too deep for taint.
I
would have poured my spirit without stint
But
not through wounds; not on the cess of war.
Foreheads
of men have bled where no wounds were.
“I am
the enemy you killed, my friend.
I
knew you in this dark: for so you frowned
Yesterday
through me as you jabbed and killed.
I
parried; but my hands were loath and cold.
Let
us sleep now. . . .”
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