Tuesday, April 2, 2024

Prize witlessness

Back at the end of 2020, I naïvely thought that after his election defeat, we’d stop hearing from and about the Kleptocrat. Even after J6, I thought that—having literally been beaten back at the Capitol—he’d slink off into retirement and devote his remaining life to cheating at golf and telling lies about all his non-existent accomplishments as president.

Boy—my bad.

No, as the Bard said, the evil that men do lives after them, and this applies to twice-impeached one-term presidents. In fact—as he campaigns again for the job, Cadet Bonespurs is ratcheting up his public intentions to run the office as an imperial grift for life, and his Republican sycophants (which is to say: the entire party) are willing to put up with it if it means they can rip away democratic freedoms like the vote, women’s bodily autonomy and racial/religious equality.

They are hell-bent on returning us all to the bad old days when [white] men were men, and everyone else shut up and made sandwiches.

So I thought that for today’s entry in National Poetry Month, we might have something that speaks to this. I cast about and found Sor Juana Inés de la Cruz.

I first met Sor Juana (“Sor” means “sister”, as in a religious sister) in a high school Spanish class. (Along with Maimónides, Carlos V and some others, but those would be another post.) Born near Mexico City in 1651, she was the illegitimate daughter of a Spaniard and a mestizo, a polymath who learned to read and write at age three, and who was teaching Latin to other children by age 13. She asked her mother’s permission to disguise herself as a boy so she could go to university, but was unsuccessful. Nonetheless, by age 17 she impressed a convocation of theologians, philosophers, poets and jurists with her intellectual capabilities.

In 1667 she entered a convent of Discalced Carmelites (a very strict order); two years later she joined the monastery of the Hieronymite nuns largely because it allowed her to pursue her studies. Sor Juana’s writings got her into trouble with the male establishment of the Church and the state. The Bishop of Puebla famously told her to shut up and make sandwiches (more or less), and she replied that “one can perfectly well philosophize while cooking supper.”

Well, she wasn’t going to win that one, and she was eventually forced into silence, selling all her considerable library and collection of scientific instruments and retreating into prayer. She died during a plague in 1694, but we are the better off for her body of work that she did leave us.

Viz.: “You Foolish Men”. In this poem, Sor Juana captures and skewers the male propensity to project their own base thoughts onto women, and to refuse to own up to their own actions. There is no mincing of words here; spades are not dressed up as garden implements. She’s got the acid of Dorothy Parker under her Hieronymite wimple, and she’s not afraid to use it to lay bare their outrageous and unjust sexual hypocrisy—“you whimper if you’re turned away, and sneer if you’ve been gratified.” Seriously: this is the GOP platform in a nutshell.

Is Sor Juana a Nasty Woman? I believe she might have turned this one over in her mind, probed the implications, explored the current environment, and given us a well-reasoned, thorough and stylish reply.

“You Foolish Men”

  You foolish men, so very adept
at wrongly faulting womankind,
not seeing you're alone to blame
for faults you plant in woman's mind.

    After you've won by urgent plea
the right to tarnish her good name,
you still expect her to behave--
you, that coaxed her into shame.

    You batter her resistance down
and then, all righteousness, proclaim
that feminine frivolity,
not your persistence, is to blame.

    When it comes to bravely posturing,
your witlessness must take the prize:
you're the child that makes a bogeyman,
and then recoils in fear and cries.

    Presumptuous beyond belief,
you'd have the woman you pursue
be Thais when you're courting her,
Lucretia once she falls to you.

    For plain default of common sense,
could any action be so queer
as oneself to cloud the mirror,
then complain that it's not clear?

    Whether you're favored or disdained,
nothing can leave you satisfied.
You whimper if you're turned away,
you sneer if you've been gratified.

    With you, no woman can hope to score;
whichever way, she's bound to lose;
spurning you, she's ungrateful--
succumbing, you call her lewd.

    Your folly is always the same:
you apply a single rule
to the one you accuse of looseness
and the one you brand as cruel.

    What happy mean could there be
for the woman who catches your eye,
if, unresponsive, she offends,
yet whose complaisance you decry?

    Still, whether it's torment or anger--
and both ways you've yourselves to blame--
God bless the woman who won't have you,
no matter how loud you complain.

    It's your persistent entreaties
that change her from timid to bold.
Having made her thereby naughty,
you would have her good as gold.

    So where does the greater guilt lie
for a passion that should not be:
with the man who pleads out of baseness
or the woman debased by his plea?

    Or which is more to be blamed--
though both will have cause for chagrin:
the woman who sins for money
or the man who pays money to sin?

    So why are you men all so stunned
at the thought you're all guilty alike?
Either like them for what you've made them
or make of them what you can like.

    If you'd give up pursuing them,
you'd discover, without a doubt,
you've a stronger case to make
against those who seek you out.

    I well know what powerful arms
you wield in pressing for evil:
your arrogance is allied
with the world, the flesh, and the devil!

Here it is in Spanish:

   Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:

    si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?

    Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.

    Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.

    Queréis, con presunción necia,
hallar a la que buscáis,
para pretendida, Thais,
y en la posesión, Lucrecia

    ¿Qué humor puede ser más raro
que el que, falto de consejo,
el mismo empaña el espejo
y siente que no esté claro?

    Con el favor y el desdén
tenéis condición igual,
quejándoos, si os tratan mal,
burlándoos, si os quieren bien.

    Opinión, ninguna gana:
pues la que más se recata,
si no os admite, es ingrata,
y si os admite, es liviana

    Siempre tan necios andáis
que, con desigual nivel,
a una culpáis por crüel
y a otra por fácil culpáis.

    ¿Pues cómo ha de estar templada
la que vuestro amor pretende,
si la que es ingrata, ofende,
y la que es fácil, enfada?

    Mas, entre el enfado y pena
que vuestro gusto refiere,
bien haya la que no os quiere
y quejaos en hora buena.

    Dan vuestras amantes penas
a sus libertades alas,
y después de hacerlas malas
las queréis hallar muy buenas.

    ¿Cuál mayor culpa ha tenido
en una pasión errada:
la que cae de rogada
o el que ruega de caído?

    ¿O cuál es más de culpar,
aunque cualquiera mal haga:
la que peca por la paga
o el que paga por pecar?

    Pues ¿para quée os espantáis
de la culpa que tenéis?
Queredlas cual las hacéis
o hacedlas cual las buscáis.

    Dejad de solicitar,
y después, con más razón,
acusaréis la afición
de la que os fuere a rogar.

    Bien con muchas armas fundo
que lidia vuestra arrogancia,
pues en promesa e instancia
juntáis diablo, carne y mundo.

 

 

 

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