I’m closing out National Poetry Month with Nobel Laureate Seámus Heaney. His linguistic mastery included lyrical translations from Irish, Latin and Greek. For today, I’ve chosen “The Cure at Troy”, which is Heaney’s take on Sophocles’ Philoctetes.
All you need to
know about Philoctetes is that he was one of the approximately 72 squillion
suitors for Helen, and thus honor-bound to help Menelaus retrieve her from
Troy. He was stranded on the island of Lemnos on the way (different versions
give different reasons, but all seem to involve some kind of suppurating wound
whose putrescence offended the Greeks). After many years of siege, the Greeks
were told they wouldn’t win the war until they possessed the weapons of
Heracles, which were…on Lemnos. As you might imagine, Philoctetes (reduced to a
solitary animal-like existence in the intervening time) wasn’t exactly
overjoyed at the prospect of handing over the sacred weapons to the very men
who’d abandoned him (he was particularly pissed off at Odysseus), but Heracles
appeared and told him to give up the artifacts and his wound would be healed by
Asclepius, and he would become a great hero, a key driver of winning the war.
(Some versions have him killing Paris, the little toerag who started the whole
thing; others put him in the actual Trojan Horse. Either way he was
instrumental in driving a stake through it.)
So there are a lot
of symbolic moving parts to this one—the festering wound that won’t heal and
leads to the debasement of a warrior; only by a series of redemptive decisions
is he given a permanent cure, which leads to the end of a long, exhausting war.
Heaney wrote his
version in 1990 as a tribute to Nelson Mandela, and an indictment of apartheid.
(Its relevance to the situation in Northern Ireland is also obvious.) Note
that—like Mandela—Heaney urges the reader to move beyond revenge, to the
“further shore” with “cures and healing wells.” I believe these are thoughts we
should keep before us in these times.
“The Cure at Troy”
Human beings
suffer,
They torture one another,
They get hurt and get hard,
No poem or play or song
Can fully right a wrong
Inflicted and endured.
The innocent in gaols
Beat on their bars together.
A hunger-striker’s father
Stands in the graveyard dumb.
The police widow in veils
Faints at the funeral home.
History says,
don’t hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.
So hope for a
great sea-change
On the far side of revenge.
Believe that further shore
Is reachable from here.
Believe in miracle
And cures and healing wells.
Call miracle
self-healing:
The utter, self-revealing
Double-take of feeling.
If there’s fire on the mountain
Or lightning and storm
And a god speaks from the sky
That means someone
is hearing
The outcry and the birth-cry
Of new life at its term.
No comments:
Post a Comment