Paschal moon: a lionlimb against me

I do love Gerard Manley Hopkins. For writing at the height of Victoria, he was an absolutely intrepid explorer of poetic forms. He used assonance, onomatopoeia and alliteration as well as rhyme. He had no fears about pushing the limits of form to make his point. His “Pied Beauty” is one of the most beautiful I’ve ever heard, and I dare you to read it without your face wanting to smile and your heart wanting to lift. It is joy captured like a butterfly resting momentarily in your cupped hands.

Today, I’m feeling a bit darker, so I’m offering something that appeals to my current mood.

“Carrion Comfort”

Not, I'll not, carrion comfort, Despair, not feast on thee;

Not untwist — slack they may be — these last strands of man

In me ór, most weary, cry I can no more. I can;

Can something, hope, wish day come, not choose not to be.

But ah, but O thou terrible, why wouldst thou rude on me

Thy wring-world right foot rock? lay a lionlimb against me? scan

With darksome devouring eyes my bruisèd bones? and fan,

O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

   Why? That my chaff might fly; my grain lie, sheer and clear.

Nay in all that toil, that coil, since (seems) I kissed the rod,

Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.

Cheer whom though? the hero whose heaven-handling flung me, fóot tród

Me? or me that fought him? O which one? is it each one? That night, that year

Of now done darkness I wretch lay wrestling with (my God!) my God.