Resistance moon: A voice from the dark

Given the current climate of cut-price jackboots marching over education, scientific advancement, human decency and the arts (among other elements that mark a civilized society), we need to hunker down around things like the Pythagorean Theorem, Baroque polyphony, the Oxford comma debate, Expressionism and, yes, poetry, as a way to keep bright the fires of sanity, grace and compassion.

So let’s think of National Poetry Month this year as a necessary component of the spirit of resistance, persistence and perhaps a few victories over ignorance, fear, greed and buffoonery.

To get us going, then, let’s have a poem from British-born Denise Levertov. Levertov was the daughter of a Hasidic Jew who left Russian Poland (Poland having been part of Russia until 1918) after World War I and emigrated to England, where he became an Anglican priest. The entire family campaigned for human rights, which on its own would have kept her from being allowed into the United States under the current administration, but she came here in 1947, so she spent most of her career as an American.

Levertov was one of many writers and artists who spoke out against the Vietnam War. She was among those who did more than just speak out—she withheld tax payments, and she was one of the founders of the group RESIST, a philanthropic non-profit that funds grass-roots activist organizations. RESIST was created in 1967 in response to the anti-war proclamation, “A Call to Resist Illegitimate Authority”.

So let’s start out the month with something appropriately titled.

“Making Peace”

A voice from the dark called out,

             ‘The poets must give us

imagination of peace, to oust the intense, familiar

imagination of disaster. Peace, not only

the absence of war.’

                                   But peace, like a poem,

is not there ahead of itself,

can’t be imagined before it is made,

can’t be known except

in the words of its making,

grammar of justice,

syntax of mutual aid.

                                       A feeling towards it,

dimly sensing a rhythm, is all we have

until we begin to utter its metaphors,

learning them as we speak.

                                              A line of peace might appear

if we restructured the sentence our lives are making,

revoked its reaffirmation of profit and power,

questioned our needs, allowed

long pauses . . .

                        A cadence of peace might balance its weight

on that different fulcrum; peace, a presence,

an energy field more intense than war,

might pulse then,

stanza by stanza into the world,

each act of living

one of its words, each word

a vibration of light—facets

of the forming crystal.