So far, my poems for National Poetry Month have been
by the great and the good. Or at least the well-known. My entry for today
comes from a collection of poems and drawings from the children of Terezín, the
“model” ghetto the Nazis built as part of their Final Solution of the Jewish
Question.
Terezín was the Nazis’ Potemkin lager—a transit camp-cum-ghetto for Jews removed first
from Prague, then from other areas of the Reich. Built on the
old Hapsburg town of Theresienstadt (pre-war population around 5000), it housed
tens of thousands in ghetto conditions, although it was considered posh enough
to show to visiting Red Cross officials as an example of benign treatment of
Jews. Of those who didn’t die of starvation, disease or brutality at Terezín,
most were murdered at Auschwitz.
I first saw I Never Saw Another Butterfly while working at the Children’s Room of
the Pasadena Public Library. There’s a newer edition on Amazon, with about 50
more pages than mine, so I’m thinking more context setting.
Anyhow, the poem that gives the collection
its title is “The Butterfly”, by Pavel Friedmann:
The Butterfly
The
last, the very last,
So
richly, brightly, dazzlingly yellow.
Perhaps if the sun’s tears would sing
against a white stone...
Such,
such a yellow
Is
carried lightly ’way up high.
It
went away I'm sure because it wished to
kiss the world goodbye.
For
seven weeks I've lived in here,
Penned
up inside this ghetto
But
I have found my people here.
The
dandelions call to me
And
the white chestnut candles in the court.
Only
I never saw another butterfly.
That
butterfly was the last one.
Butterflies
don't live in here,
In the ghetto.
The
poem was dated 4th June 1942, when Friedmann was 21. He was
transported to Auschwitz and murdered 29th September 1944.
You
should see the picture that faces “The Butterfly” in my edition. It’s by Eva Bu
(Bulová), undated.
Bulova
was born 12th July 1930, deported to Terezín 12th
September 1942, and killed in Auschwitz 4 October 1944.
Years
after my introduction to Terezín, I was reading some poems written by German
soldiers who’d been caught by Russia’s greatest military leader, General
Winter. I can’t remember the source, or even where they were—Stalingrad?
Leningrad? Moscow? Dunno. But from their frozen hell they expressed the same
kinds of longing the children of the model ghetto spoke of.
Just
a butterfly. Just a flower. Just a smile from a young woman. Just a hint that
life holds out something good, when in fact as far as you can see it's ugly and painful and fearsome.
That's one of the functions of poetry, to focus on that hope.
That's one of the functions of poetry, to focus on that hope.
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